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Theatre techniques are procedures that facilitate a successful presentation of a play. They also include any practices that advance and enhance the understanding the audience brings to the action and the acting by the cast on stage. ==The playwright's craft== Theatre technique is part of the playwright's creative writing of drama, as a kind of mimesis rather than mere illusion or imitation of life, in that the playwright is able to present a reality to the audience that is different, yet recognisable to that which they usually identify with in their everyday lives. Another aspect of this is that of creating the kind of dialogue that makes the playwright's characters come alive and allows for their development in the course of his dramatization. The playwright's art also consists in the ability to convey to the audience the ideas that give essence to the drama within the frame of its structure. Finally, the feeling for the natural divisions of a play—including acts, scenes, and changes of place—its entries and exits, and the positioning of the cast are integral to playwriting technique. One of the playwright’s functions is that concerned with adaptations of existing traditional drama, such as Charles Marowitz’s collages of ''Hamlet'' and ''Macbeth'' and other re-interpretations of Shakespeare's works, as well as Tom Stoppard’s approaches in ''Rosencrantz & Guildenstern Are Dead'', ''Dogg's Hamlet'', and ''Cahoot's Macbeth''. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Theatre technique」の詳細全文を読む スポンサード リンク
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